Preamp Stage For Ceramic Phono Cartridge Or Violin Pickups

While we have published a number of variations on a standard RIAA preamplifier for magnetic phono cartridges, we have not published a preamp stage for ceramic phono cartridges. Typically, these were supplied as turnover cartridges in record changers but there were higher quality versions such as the Decca Deram. These phono cartridges are piezoelectric devices which require a very high input impedance. Similarly, violin pick-ups made by Fishman, Barcus Berry and others are piezo devices. These two circuits have been requested for a violin pickup but could equally well suit a ceramic or crystal pickup. The op amp circuit uses a TL071 connected as a voltage-follower. It can run from a battery supply of ±9V.

Circuit diagram:

preamp-stage-for-ceramic-phono-cartridge-or-violin-pickup

The alternative transistor circuit uses a BC549 connected as an emitter-follower but with bootstrapping of the input bias network to provide a high input impedance. Both circuits have input coupling capacitors but since the transducers are capacitive (ie, piezo) they could possibly be omitted. Both circuits will probably need to be followed by further gain, depending on the output level. For a violin pickup, a parametric equaliser is also recommended, and for this we would suggest the 3-band parametric equaliser published in the July 1996 issue of SILICON CHIP. With a slight change to the feedback of the first op amp in this circuit, the extra gain required could also be provided.

Source : www.extremecircuits.net

Ultra-Simple Microphone Preamplifier

This little project came about as a result of a design job for a client. One of the items needed was a mic preamp, and the project didn't warrant a design such as the P66 preamp, since it is intended for basic PA only. Since mic preamps are needed by people for all manner of projects, this little board may be just what's needed for interfacing a balanced microphone with PC sound cards or other gear. Unlike most of my boards, this one is double-sided. I normally avoid double-sided PCBs for projects because rework by those inexperienced in working with them will almost certainly damage the board beyond repair.

I consider this not to be an issue with this preamp, because it is so simple. It is extremely difficult to make a mistake because of the simplicity. As you can see, the board uses a PCB mounted XLR connector and pot, so is a complete mic preamp, ready to go. Feel free to ignore the terminals marked SW1 (centred between the two electrolytic supply caps), as they are specific to my client's needs and are not useful for most applications. The original use was to use them for a push-button switch that activated an audio switch via a PIC micro-controller. They are not shown on the schematic.

 P12-pic

The DC, GND and output terminals may be hard wired to the board, you may use PCB pins or a 10-way IDC (Insulation Displacement Connector) and ribbon cable. Power can be anything between +/-9V and +/-18V with an NE5532 opamp. The mic input is electronically balanced, and noise is quite low if you use the suggested opamp. Gain range is from about 12dB to 37dB as shown. It can be increased by reducing the value of R6, but this should not be necessary. Because anti-log pots are not available, the gain control is not especially linear, but unfortunately in this respect there is almost no alternative and the same problem occurs with all mic preamps using a similar variable gain control system.

P12-f1

 

The circuit is quite conventional, and if 1% metal film resistors are used throughout it will have at least 40dB of common mode rejection with worst-case values. The input capacitors give a low frequency rolloff of -3dB at about 104Hz. If better low frequency response is required, these caps may be increased to 4.7uF or 10uF bipolar electrolytics. These will give response to well below 10Hz if you think you'll ever need to go that low. The project PCB measures 77 x 24mm, and the mounting centers for the pot and XLR connector are spaced at 57mm. If preferred, a traditional chassis mounted female XLR can be used, and wired to the board with heavy tinned copper wire. The PCB pads for the connector are in the correct order for a female chassis mount socket mounted with the "Push" tab at the top.

source: www.sound.westhost.com